April Reading Recap and a 5-Star Book #amreading

April 28, 2018April 28, 2018 / Eve Messenger / 2 Comments

April 2018 Reads

Hello, fellow book junkies! Well, if I had to sum up this month’s reading experience in one word, it would be “eclectic.” Genres spanned from contemporary LGBTQIA to graphic novel to classic Indian mythology to adult fantasy-horror. Most of the books were quite good, and one has entered the golden category of personal favorites.

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Stargirl by Jerry Spinelli – YA Contemporary

I’m going to start this review with a little secret. When I was a child, the vast majority of books I read were written by men. That wasn’t a conscious decision, of course, just based on what was available. When I started writing stories of my own, I caught myself constantly writing about male progatonists. It dawned on me that that was kind of strange since I am female, so I decided to give my literary brain a reboot, and I switched reading books by females about females, almost exclusively. For the most part, I think it worked. Sometimes, as I’m writing, I still fall into gender stereotype traps, in which case deliberately subvert them, i.e., making the wise mentor female.

Now that I’m branching back out into reading more books by male authors, one of the ones I chose was Stargirl by Jerry Spinelli–because I adored the title. While this book does explore important themes of having the confidence to be yourself, it is essentially about a boy who meets his manic pixie dream girl. Sigh. 3 stars

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What Alice Forgot by Liane Moriarty – Adult Contemporary

Hey, literary world, just because this story features a woman dealing with family issues, can we please not call it Chick Lit?!! Do we call adult contemporary books by males Dick Lit?!! Okay, so back to the book. . . Amnesia stories always intrigue me, especially when they’re sort of a do-over story like this one. As the story opens, main character Alice is regaining consciousness on the floor of a gym, and she is confused as to why people keep telling her it’s twenty years in the future. Humorous at times, What Alice Forgets is a powerful exploration of relationships and remembering to remember what we appreciate about life and the people in it. 4.5 stars

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Paper Girls by Brian Vaughan – YA/MG Graphic Novel

A graphic novel about girls in the 1980s who deliver newspapers? Sign me up! The setting, concept, and artwork arefun. The story had its moments and some surprises but wasn’t super strong. Still, I think I’d like to keep reading about these tough girls from different walks of life. 3.5 stars

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We are Okay by Nina Lacour – YA Contempary LGBTQIA

What a good writer Nina Lacour is. Her stories are kind of on the quiet side, and I’m always glad to have read them. She captures feelings of loneliness like no other writer I’ve seen, and her stories are full of feeling and human connection. The LGBTQIA aspect isn’t a huge part of this book, but it makes an impact. 4 stars

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Ramayana by Vālmīki, William Buck (translator) – Classic Indian Mythology

This epic Indian story about Prince Rama, gods, and demons was written by Sanskrit poet Valmiki in 300 A.D. It’s incredible how, within this rich mythological world, the human emotions and motivations are still so relatable. 4.25 stars

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The Goose Girl (The Books of Bayern #1) by Shannon Hale – YA Fantasy

What a wonderful thing it is to dive into a new book and discover it’s going to be one of your all-time favorites. That’s what happened to me with The Goose Girl. Everything about it is great–the writing, the magical atmosphere, the characters, and, oh, the plot. The plot is really good. All the feelings I had about as a kid about princesses and fairy tales I found again in this book. 5 enthusiastic stars

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The Astonishing Color of After by Emily X.R. Pan – YA Magic Realism

After her mother’s suicide, half-Taiwanese, half white Leigh Chen Sanders travels to Taiwan to connect with her Taiwanese roots at last. The scenes set in Taiwan are full of atmosphere and intrigue, magic and emotion. A woman that Leigh meets there, Feng, is a fascinating character that I think will stay with me for a long time.

The cover is a work of art. The title is gorgeous. The Astonishing Color of After has a nice writing style, too, as magic realism stories so often do. The plot, however, meanders at times. It takes a while to get to the point, and I found myself skimming pages. Overall, this is a powerful story of a girl looking to connect with dead mother mother through her rich Taiwanese heritage. The romantic subplot takes away from what is a much bigger story of self-discovery. 3.5 stars

The Library at Mount Char by Scott Hawkins 388pp – Adult Fantasy-Horror

Anyone in the mood for a dark, modern fantasy should look no farther than The Library at Mount Char. It is unlike any book I’ve ever read, a cross between Stephen King’s The Stand and Douglas Adams’ Hitchhiker’s Guide. The world-building is smart and imaginative, and the characters are fascinating–especially Carolyn and Erwin. A terrific read. The only time it slips is during the last act when the story kind of diverts and turns into an over-explanation of things. If you’ve read it, I’d be interested to hear what you think about that. 4.25

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— Eve Messenger

What if You’re Not a Natural Born Storyteller? #amwriting

December 23, 2015December 23, 2015 / Eve Messenger / 12 Comments

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Thankfully, one of the many great things about writing novels is that there are unlimited opportunities to revise and rewrite until we get our stories right—to make them great, even. Writers who are natural storytellers (those lucky devils) might have an easier time coming up with great plot ideas, but those of us who aren’t necessarily born storytellers have more work to do. We are readers and lovers of novels, so we know when a story is good. It just might take more time for us to get our own stories to that point.

How to Weave Plot Threads Without Going Insane

September 28, 2015October 4, 2015 / Eve Messenger / 8 Comments

Recently, I’ve had to face the cold, hard fact that I do not write simple plots. Very “not simple” plots, though I will stop short of calling them complicated. In coming to terms with this, my first instinct is to get very, very nervous, as in: how in the hell am I going to weave all these plotlines together into a cohesive story? Sure, the plot makes sense in my head, but piecing it all together on the page is another matter entirely.

So how do I avoid getting tangled up in plot threads? Since I don’t personally know any professional writers To ask, I turned to my good friend Google for advice.

One of the first things that pops up is “Calendaring Your Story,” an article by writer Mindy Obenhaus. One of the things she says that really pops out at me is that she is “a visual person, not to mention somewhat detail-oriented.” That’s me, too. I am most comfortable processing information visually, so when it comes to plotting a novel, it makes sense to create a visual representation of my plotlines, a timeline that shows all the major plotlines side by side.

But how?

Obenhaus apparently uses a calendar, a large, desk-sized one. Other writers create Word tables or Excel spreadsheets. Still others use flashcards, a different color for each plot thread. And there are surely plenty of other methods crafty writers have come up with for calendaring their plotlines. (If you have any ideas you’d like to share, please feel free to comment.)

Then I remembered that at a company I once worked for we entered departmental events into an online calendar, with each department displayed in a different color, a multi-person event calendar, something like this:

Maybe this could work for calendaring plotlines, thought I.

So I tried it.

First, I found a decent online multi-person calendar at TeamUp.com, a free version that allows you to calendar up to ten different people/plotlines.
Then I got to have fun deciding which color best represented each of my major characters/plotlines.
After that, I started entering major plot points and, right away, the process got me thinking about my novel in new ways. For instance, I realized that my original plan didn’t logically allow enough time between a couple of key events.

Now the “heavy lifting” begins. I’ll need to really think about each major milestone and decide precisely when it should occur so I can put it on a calendar. I KNOW (as hard as I try to resist this) that calendaring my plot lines will make me much less confused than I was with my first two novels. As convoluted as those first drafts were, I’m thinking surely this will be an improvement.

My Name is Eve, and I am a Recovering ‘Pantser’

July 14, 2015November 23, 2015 / Eve Messenger / 4 Comments

I’m one of those writers you might call a ‘pantser,’ you know, the kind who writes a novel with reckless abandon — sans plot outline — until I reach the semblance of an ending.

It’s fun! It’s exciting! It’s FRESH. And I’m afraid if I don’t write like that I’ll overcensor myself , or worse, get bored because I already know what’s going to happen.

But.

Revising a pants-style, mutant pit first draft of a novel takes a really, really, really, really long time. I’m not saying I’ll never pants a novel again, but I’ve done it twice now, and the first novel was such a complicated mess I had to stick it in a drawer until I became “a good enough writer to tackle such a complicated plot.”

This second full-length novel, a YA fantasy, I’ve been revising for dozens and dozens and dozens of hours…reordering scenes, consolidating bits I had epiphanies about later in the writing, just, you know … Clean-up on aisle seven…and twelve…and one…and fourteen. Clean up the whole damn store.

But hey, writing and revising a novel should take as long as it needs to, right? And who’s to say I would ever have been able to come up with the cool, out-there things that happen in this story (don’t mean to brag, just sayin’) if I had NOT let my imagination flow 100% unhindered, not even by a plot outline?

But.

I’m not as young as I used to be (I’ll admit) and have a lot of stories I want to write. So many.

Yet here I am, dozens and dozens and dozens of hours into revising and fleshing out this first draft into a flow, a scene order, that tells a cohesive story. Yes, there is light at the end of the tunnel — I’m three-quarters of the way through — but I’m not even talking about all the fun edit-y things like crisping up dialogue, bringing out sensory details, polishing prose. I’m talking about just getting the first draft into an order that makes sense.

Outlining would have been so much easier. More importantly, it would have been FASTER.

Then this morning a lovely thing happened. A brand new character, with a brand new story, in a brand new genre (still YA), danced herself right onto my computer screen. And she brought a LOT of her story’s plot with her. God bless her. When I’m done with this YA fantasy, I might just be able to write a novel using a proper outline.

HALLELULAH.

Now if I just knew the best way to outline a novel. Any suggestions?

–Eve Messenger

Reading While Writing – Is it a Bad Thing?

July 14, 2015July 14, 2015 / Eve Messenger / 7 Comments

There’s this YA dystopian thriller I’ve been dying to read. Very hyped, mentioned in lots of blogs, highly ranked on Goodreads. I won’t mention the title because — call me superstitious, or maybe respectful or polite — I won’t publicly write negative things about another writer’s published work. Who knows, maybe you’ll guess it from the references I’m about to make. Anyway, I was excited to read this book, but I stopped myself. I stopped myself from reading any fiction. Why? Because I’ve heard from other writers that reading while you write can be detrimental.

But reading is the shizzle!

So two days ago I picked up this hyped novel-that-shall-not-be-named (henceforth known as NTSNBN), and I began to read. Even though I’m working on my own novel.

And it’s been really helpful! Possibly because NTSNBN is in a different enough genre from my own YA fantasy adventure. Or maybe because it’s a good book but not so brilliant that I’m utterly intimidated. Or maybe (and probably most significantly) because the plot and characters of my own novel are well-formed enough that reading someone else’s novel — both as a positive and negative example — gives me ideas on how to enhance what I already have.

Back when I was tapping and scribbling out the nucleus of a plot in coffee houses, libraries, and all the other free places writers and homeless people hang out, reading someone else’s novel might have been detrimental to my process. Consciously or subconsciously, another writer’s plots and characters could have crept their way into my own writing. (Though I probably will take the chance and try it while writing the next novel.)

After two days of reading NTSNBN — while working on the 2nd/3rd major revision of my own — here’s how reading someone else’s novel has been beneficial. Throughout the narrative, NTSNBN gives a very clear sense of the main character’s emotional state. It contains ~~too much~~ a lot of internal self-talk. With a keener awareness of this, the next time I sat down to work on my own book, my characters started spilling their emotional guts a lot more.

I like that.

The author of NTSNBN also employs several quirky stylistic devices, such as replacing number words with the alphanumeric, as in ‘2’ instead of ‘two.’ Also, there are long passages that deliberately avoid commas. Thirdly, there is a lot lot lot of ~~too much~~ striking out of lines and words, which signify the MC censoring his/her own thoughts. Though I probably won’t use those devices in my own writing, the stylistic experiments definitely inspire me to try new things.

Lastly, NTSNBN reads really fast. All the chapters flow really well, each with its own grabber that takes you right into the heart of the scene and an ending that propels you further into the story. All wonderful things to keep in mind while revising and polishing my own work.

E.B.M.

Just Say No to Cliffhangers

July 7, 2015July 27, 2015 / Eve Messenger / 2 Comments

I hate cliffhangers. There, I said it. I don’t mean cliffhangers in the middle of a story, of course — those are great. I mean a cliffhanger ending to a novel — it’s a cheat, a crutch, a convenient device. Inherent in every novel there’s a silent contract between writer and reader, included in which is a proper ending! What should drive readers to want to read the next book is compelling characters and great writing, not — I repeat — a cliffhanger ending.