There’s this YA dystopian thriller I’ve been dying to read. Very hyped, mentioned in lots of blogs, highly ranked on Goodreads. I won’t mention the title because — call me superstitious, or maybe respectful or polite — I won’t publicly write negative things about another writer’s published work. Who knows, maybe you’ll guess it from the references I’m about to make. Anyway, I was excited to read this book, but I stopped myself. I stopped myself from reading any fiction. Why? Because I’ve heard from other writers that reading while you write can be detrimental.
But reading is the shizzle!
So two days ago I picked up this hyped novel-that-shall-not-be-named (henceforth known as NTSNBN), and I began to read. Even though I’m working on my own novel.
And it’s been really helpful! Possibly because NTSNBN is in a different enough genre from my own YA fantasy adventure. Or maybe because it’s a good book but not so brilliant that I’m utterly intimidated. Or maybe (and probably most significantly) because the plot and characters of my own novel are well-formed enough that reading someone else’s novel — both as a positive and negative example — gives me ideas on how to enhance what I already have.
Back when I was tapping and scribbling out the nucleus of a plot in coffee houses, libraries, and all the other free places writers and homeless people hang out, reading someone else’s novel might have been detrimental to my process. Consciously or subconsciously, another writer’s plots and characters could have crept their way into my own writing. (Though I probably will take the chance and try it while writing the next novel.)
After two days of reading NTSNBN — while working on the 2nd/3rd major revision of my own — here’s how reading someone else’s novel has been beneficial. Throughout the narrative, NTSNBN gives a very clear sense of the main character’s emotional state. It contains
too much a lot of internal self-talk. With a keener awareness of this, the next time I sat down to work on my own book, my characters started spilling their emotional guts a lot more.
I like that.
The author of NTSNBN also employs several quirky stylistic devices, such as replacing number words with the alphanumeric, as in ‘2’ instead of ‘two.’ Also, there are long passages that deliberately avoid commas. Thirdly, there is a lot lot lot of
too much striking out of lines and words, which signify the MC censoring his/her own thoughts. Though I probably won’t use those devices in my own writing, the stylistic experiments definitely inspire me to try new things.
Lastly, NTSNBN reads really fast. All the chapters flow really well, each with its own grabber that takes you right into the heart of the scene and an ending that propels you further into the story. All wonderful things to keep in mind while revising and polishing my own work.