Basking in the Bounty of the Book Gods


The book gods have been good to me this week. I’m suddenly basking in books that are at the top of my TBR list.

Currently Reading
Julie Bertagna’s Exodus. If you ever read this book, rest assured it gets really good after the first couple of chapters. It’s so imaginative and, as for social commentary, whoah.

Library Holds
Two holds also came through from the happiest place on Earth, my local library:

  • At last, my first Rainbow Rowell book, Fangirl.
  • Leslye Walton’s debut novel, with its simple yet very beautiful cover, The Strange and Beautiful Sorrows of Ava Lavender. (I’d like to randomly add that I am mad at the word lavender because it refuses to be spelled — as I perpetually want to write it — like the word calendar.)

   

Contest Prize
And here’s where I saved the best for last. Along with a nice handwritten note, literary agent Janet “The Shark” Reid mailed me Leigh Bardugo’s Six of Crows ARC as a prize for winning her recent flash fiction contest. I’m not gonna lie, I worked HARD to win because I REALLY wanted to read Six of Crows, but I had no idea that….

THIS ARC COMES WITH WINGS!!!

Six of Crows book wings

Fellow book lovers, surely you understand how happy this makes me.

Happy reading!

— Eve Messenger

What Makes a Character Likable?

Lately, I’ve run across way too many YA book reviews that decry the extreme unlikability of main characters. Are writers making their protagonists too unlikable? Sure, writing an engaging main character is a complex process–we like our protagonists flawed and thus more interesting, but isn’t it also important for them to be likable enough to root for through an entire novel?

With fictional characters–as with real people–“engaging” and “likable” are subjective, to be sure. In Paula Hawkins’ The Girl on the Train, for example, some readers find the protagonist Rachel so incredibly flawed that she’s just too pitiful to root for; others, like me, find her compelling and sympathetic in her way. The truth is, no characters in The Girl on the Train are heroic in a classic sense, but the story still works. That’s just good writing, so kudos to Paula Hawkins.

So…what makes a character likable? Here’s my list. Tell me if I missed anything.

What Makes a Character Likable?

1. Must feel extremely passionate about something.
2. Has at least one person she’s willing to fight for.
3. Isn’t too perfect.
4. Has a troubled life.
5. Isn’t overly whiny about her troubled life.
6. Has a special talent, skill, or exceptional personality trait.
7. Sees the world in a unique way.
8. Is aware of her own flaws and grows or changes in some way. (added by blogger eclecticscribblings)
9. BONUS: Has a sense of humor, especially about herself. (added by blogger Aedifice)

In other news, I’m falling madly in love with my latest work in progress, a contemporary YA with time travel and a ghost. Had to share. 🙂

— Eve

YA Reader, I Could Really Use Your Suggestions

wordle 2

I’m planning a YA book that I’m REALLY looking forward to writing, but I’m having a hard time classifying the genre. It’s about a modern girl fantasizing her way through major life changes and social awkwardness. There’s an integral paranormal aspect, but it’s subtle – no werewolves, witches, vampires — and a sprinkling of chapters set in an earlier period of history.  There’s a little romance, but I’d say it’s more about family and relationships.

What would you call that genre?

Josie’s Book Corner, I’m looking at you.

My Name is Eve, and I am a Recovering ‘Pantser’

pantsing

I’m one of those writers you might call a ‘pantser,’ you know, the kind who writes a novel with reckless abandon — sans plot outline — until I reach the semblance of an ending.

It’s fun! It’s exciting! It’s FRESH.  And I’m afraid if I don’t write like that I’ll overcensor myself , or worse, get bored because I already know what’s going to happen.

But.

Revising a pants-style, mutant pit first draft of a novel takes a really, really, really, really long time.  I’m not saying I’ll never pants a novel again, but I’ve done it twice now, and the first novel was such a complicated mess I had to stick it in a drawer until I became “a good enough writer to tackle such a complicated plot.”

This second full-length novel, a YA fantasy, I’ve been revising for dozens and dozens and dozens of hours…reordering scenes, consolidating bits I had epiphanies about later in the writing, just, you know … Clean-up on aisle seven…and twelve…and one…and fourteen.  Clean up the whole damn store.

But hey, writing and revising a novel should take as long as it needs to, right?  And who’s to say I would ever have been able to come up with the cool, out-there things that happen in this story (don’t mean to brag, just sayin’) if I had NOT let my imagination flow 100% unhindered, not even by a plot outline?

But.

I’m not as young as I used to be (I’ll admit) and have a lot of stories I want to write. So many.

Yet here I am, dozens and dozens and dozens of hours into revising and fleshing out this first draft into a flow, a scene order, that tells a cohesive story.  Yes, there is light at the end of the tunnel — I’m three-quarters of the way through — but I’m not even talking about all the fun edit-y things like crisping up dialogue, bringing out sensory details, polishing prose.  I’m talking about just getting the first draft into an order that makes sense.

Outlining would have been so much easier.  More importantly, it would have been FASTER.

Then this morning a lovely thing happened.  A brand new character, with a brand new story, in a brand new genre (still YA), danced herself right onto my computer screen.  And she brought a LOT of her story’s plot with her.  God bless her.  When I’m done with this YA fantasy, I might just be able to write a novel using a proper outline.

HALLELULAH.

Now if I just knew the best way to outline a novel.  Any suggestions?

–Eve Messenger