YA Reader, I Could Really Use Your Suggestions

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I’m planning a YA book that I’m REALLY looking forward to writing, but I’m having a hard time classifying the genre. It’s about a modern girl fantasizing her way through major life changes and social awkwardness. There’s an integral paranormal aspect, but it’s subtle – no werewolves, witches, vampires — and a sprinkling of chapters set in an earlier period of history.  There’s a little romance, but I’d say it’s more about family and relationships.

What would you call that genre?

Josie’s Book Corner, I’m looking at you.

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My Name is Eve, and I am a Recovering ‘Pantser’

pantsing

I’m one of those writers you might call a ‘pantser,’ you know, the kind who writes a novel with reckless abandon — sans plot outline — until I reach the semblance of an ending.

It’s fun! It’s exciting! It’s FRESH.  And I’m afraid if I don’t write like that I’ll overcensor myself , or worse, get bored because I already know what’s going to happen.

But.

Revising a pants-style, mutant pit first draft of a novel takes a really, really, really, really long time.  I’m not saying I’ll never pants a novel again, but I’ve done it twice now, and the first novel was such a complicated mess I had to stick it in a drawer until I became “a good enough writer to tackle such a complicated plot.”

This second full-length novel, a YA fantasy, I’ve been revising for dozens and dozens and dozens of hours…reordering scenes, consolidating bits I had epiphanies about later in the writing, just, you know … Clean-up on aisle seven…and twelve…and one…and fourteen.  Clean up the whole damn store.

But hey, writing and revising a novel should take as long as it needs to, right?  And who’s to say I would ever have been able to come up with the cool, out-there things that happen in this story (don’t mean to brag, just sayin’) if I had NOT let my imagination flow 100% unhindered, not even by a plot outline?

But.

I’m not as young as I used to be (I’ll admit) and have a lot of stories I want to write. So many.

Yet here I am, dozens and dozens and dozens of hours into revising and fleshing out this first draft into a flow, a scene order, that tells a cohesive story.  Yes, there is light at the end of the tunnel — I’m three-quarters of the way through — but I’m not even talking about all the fun edit-y things like crisping up dialogue, bringing out sensory details, polishing prose.  I’m talking about just getting the first draft into an order that makes sense.

Outlining would have been so much easier.  More importantly, it would have been FASTER.

Then this morning a lovely thing happened.  A brand new character, with a brand new story, in a brand new genre (still YA), danced herself right onto my computer screen.  And she brought a LOT of her story’s plot with her.  God bless her.  When I’m done with this YA fantasy, I might just be able to write a novel using a proper outline.

HALLELULAH.

Now if I just knew the best way to outline a novel.  Any suggestions?

–Eve Messenger

Reading While Writing – Is it a Bad Thing?

NTSNBN

There’s this YA dystopian thriller I’ve been dying to read.  Very hyped, mentioned in lots of blogs, highly ranked on Goodreads. I won’t mention the title because — call me superstitious, or maybe respectful or polite — I won’t publicly write negative things about another writer’s published work. Who knows, maybe you’ll guess it from the references I’m about to make. Anyway, I was excited to read this book, but I stopped myself.  I stopped myself from reading any fiction.  Why? Because I’ve heard from other writers that reading while you write can be detrimental.

But reading is the shizzle!

So two days ago I picked up this hyped novel-that-shall-not-be-named (henceforth known as NTSNBN), and I began to read.   Even though I’m working on my own novel.

And it’s been really helpful!  Possibly because NTSNBN is in a different enough genre from my own YA fantasy adventure. Or maybe because it’s a good book but not so brilliant that I’m utterly intimidated. Or maybe (and probably most significantly) because the plot and characters of my own novel are well-formed enough that reading someone else’s novel — both as a positive and negative example — gives me ideas on how to enhance what I already have.

Back when I was tapping and scribbling out the nucleus of a plot in coffee houses, libraries, and all the other free places writers and homeless people hang out, reading someone else’s novel might have been detrimental to my process. Consciously or subconsciously, another writer’s plots and characters could have crept their way into my own writing.   (Though I probably will take the chance and try it while writing the next novel.)

After two days of reading NTSNBN — while working on the 2nd/3rd major revision of my own — here’s how reading someone else’s novel has been beneficial. Throughout the narrative, NTSNBN gives a very clear sense of the main character’s emotional state. It contains too much a lot of internal self-talk. With a keener awareness of this, the next time I sat down to work on my own book, my characters started spilling their emotional guts a lot more.

I like that.

The author of NTSNBN also employs several quirky stylistic devices, such as replacing number words with the alphanumeric, as in ‘2’ instead of ‘two.’  Also, there are long passages that deliberately avoid commas. Thirdly, there is a lot lot lot of  too much  striking out of lines and words, which signify the MC censoring his/her own thoughts.   Though I probably won’t use those devices in my own writing, the stylistic experiments definitely inspire me to try new things.

Lastly, NTSNBN reads really fast. All the chapters flow really well, each with its own grabber that takes you right into the heart of the scene and an ending that propels you further into the story. All wonderful things to keep in mind while revising and polishing my own work.

E.B.M.

Just Keep Writing

Just Keep Writing

Lately, my writing has been hindered by an insane workload in my job as a teacher.  To complicate matters, a couple of days ago my YA fantasy adventure seemed to morph from a comforting creature into a monstrous vermin.  With 286 pages written and the second draft halfway done, I stepped back from it in horror.  I have so many ideas that it’s hard to remember to keep things simple, and I’m afraid of not being able to bring it all together.  But the answer is, and has always been…

Just keep writing.